This release could be the spiritual successor to a former release of Lupin III, The Castle of Cagliostro. Oh, so does that mean that this was directed by Hayao Miyazaki? No, but the head supervisor, Yasuo Otsuka, was around with Lupin since the beginning and he has worked with Miyazaki and company several times in the past. Returning to a classic green jacket as opposed to the early 80s pink jacket, Lupin returned in 1987 onto the direct to video OVA market with Lupin III: The Fuma Conspiracy, or Lupin III: The Plot of the Fuma Clan.
On the other hand, The Fuma Conspiracy can be considered… well… a supposed black sheep in the long going adventures of our favorite jacket wearing, sideburn clad thief. Not so for me, or maybe other fans, but from what I have heard from so-called experts say Japan often looks at this one with an odd face. Why? Well that classic voice cast that had been with the characters since the beginning was replaced. Perhaps for budget reasons, but the choices of Toshio Furukawa (Lupin), Banjou Ginga (Gigen), Mami Koyama (Fujiko) and Kaneto Shiozawa (Goemon). I love all four of them as actors from other productions, I mean come on! But, this is like the George Lazenby cast placement when everyone expects Sean Connery (James Bond reference in case that went over your head) and b.t.w. I love the film George was in (any fans of On Her Majesty’s Secret Service?).
Also different is how this OVA starts. We see our cast at a wedding… OK, so the quartet are looking to steal something here? Maybe, but this is Goemon’s wedding. Wait! Goemon, in a romantic relationship? I thought he only followed the way of the samurai and his partner was his sword. Yeah, well… things change. Now… there is this vase that belongs to the family Goemon is marrying into and Lupin and Fujiko have interest in grabbing it. Not so much for the vase itself, but for the hidden secret to a great treasure. Now this is sounding like a Lupin caper. But don’t forget, we have another party interested in this vase and the treasure that I have not mentioned yet. And can you guess who they are? Hint… read the title again. Yup, Lupin has to go up against the Fuma clan and… and… don’t forget Inspector Zenigata is here as well.
Back to the idea of this production being a spiritual successor to the classic The Castle of Cagliostro. As I mentioned earlier ‘oldman’ Yasuo Otsuka oversaw production at Tokyo Movie Shinsa and the green jacket was re-instated. So what else shares commonality with the 1979 Miyazaki film? Well, remember that yellow Fiat 500 with the crazy supercharger from Cagliostro? It’s back and welcomed; indeed. And it is an even larger car chase than before. Another shared Cagliostro trait is the fact that this is more of a family friendly outing for our quartet. The red and pink jacket entries from the late 70s and early 80s brought Lupin closer to how he is in the manga. Although the original green jacket series from 1971 began as a very hard edge adaptation until edits were brought into play. Ironic?
When watching the commentary on the DVD that I own, I heard references to how The Fuma Conspiracy looks more similar to western styled shows of the area. Though I agree to a point, the movement, color and environment does slightly favor something from Tiny Toon Adventures. And this is appropriate as back in the day Japanese studios did a lot of the grunt work for animation made for the western market, particularly the U.S. And for Tokyo Movie Shinsa, the studio who has worked on all the classic Lupin titles, also did the animation for… Tiny Toon Adventures. Could have been the exact same staff?
For one of the longest running franchises in Japanese animation, Lupin III has been told and retold in a number of formats. Lupin III: The Fuma Conspiracy represented Lupin’s first foray into the new boom of the OVA market in the mid-1980s. Though the home video market has changed, Lupin has not. This is yet another solid green jacket adventure for Lupin III… do you see this large smile on my face?