Is that a psycho gun in your left arm or are you just happy to see me? Mr. Cobra… I am always happy to see you. Science fiction and space opera often fall to the hands of being serious and thought provoking. But then you have the other side of the coin where it is all about just plain and simple good time entertainment. Space Adventure Cobra is enjoyment at it’s best and maybe the best at adding ‘Pulp’ elements into science fiction ever?
Here is a weird thing I often do. I am not a fan of top 10 lists as really how can you ONLY have 10 qualify as qualifiable. Case in point from time to time I think of a 1980s anime top 10 and when I look at it. 99% of the time I don’t include the Cobra TV series. And then I scratch my head… WHY? Cobra may have been one of the easiest shows I have ever watched and why is that? It’s fun. Really, really, really, really, really… fun. The official meal of watching Cobra should be a big tub of popcorn and a soft drink. This is a simple straight forward and fairly short show that when finished makes me want more, a whole lot more.
Cobra is in the spirit of the original Star Wars movie with all the Flash Gordon and Buck Rogers action and entertainment. But, it has more… sex appeal, a lot more. Odd how this was a manga that ran in Shonen Jump because this more than a boy’s fantasy. Grown men often lust after wild adventures like Cobra and I would say the ladies do as well. All we need to do is add in some Barbarella and James Bond. And with all this influence we have beautiful women galore, including his android sidekick, and Cobra as a buff stud of a man. This show is just too sexy for it’s own good, but it is all within good taste. After all the sci-fi and sexiness are only two parts to this equation. The other is the comedy. And now I have to pull in Lupin III. Cobra the man is a bit like Lupin; he’s a rogue, a ladies man and a screwy goofball. Maybe even a bigger goofball than Lupin. The most reassuring moment I have had was during an interview with the creator of Cobra, Buichi Terasawa. Looking at our hero Cobra, I saw influence of Steve McQueen and one Jean-Paul Belmondo. And when I heard Terasawa pulled Belmondo as an influence from that interview I jumped off the couch in glee. KNEW IT! He has his nose after all.
I mentioned earlier that the original manga ran in Shonen Jump. This adaptation for the most part follows the stories of the printed page. At least that is from what I could tell from the manga that was released by VIZ in comic sized single issues (I am sure this was an unfinished partial release?). The movie of course takes greater liberty and is almost at time psychedelic, but I reserve that for it’s own posting. For me what makes Cobra really shine is two separate yet similar factors. One is the studio TMS (Tokyo Movie Shinsa). They always have done great work and I often felt like they had a polish and color palette that was unrivaled at the time. The other is the director, a long time employee of TMS. Osamu Dezaki’s signature fluidity, triple take shots and pastel freeze frames are all present. The man was a genius and for my money had the best handling for making anime look and feel like manga come to life. If you are in the know, you know what I am saying, but if Dezaki is new to you, check his other work as well (Ashita no Joe, Aim for the Ace, the second half of Rose of Versailles and The Professional: Golgo 13 to name a few).
So for Space Adventure Cobra the only thing I have to leave you with is WATCH IT!!! Now or maybe tomorrow, but don’t let this one slide away. I don’t have to wrap this up with an over convoluted message, so I will leave this. Are you ready to have a great time? And as a personal note to myself… don’t forget to include Cobra on those top 10 lists!